Monday, March 22, 2010

Free PDF They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez

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They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez

They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez


They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez


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They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez

Review

"Author Didier Ghez...again displays formidable skill as a researcher and animation historian. His is an amazing, Sherlockian investigatory ability to sleuth out 'lost' Disneyana artworks, and info about its artists, in unexplored private collections, as well as the vast holdings of the Walt Disney Archives and Animation Research Library." The Animated Eye, John Canemaker"As someone who revels in the ability to peek behind the creative curtain, I loved diving into They Drew As They Pleased: The Hidden Art Of Disney's Late Golden Age - The 1940s Part Two. The third volume in what I hope continues to be an ongoing series, it deep dives into the Disney archives to unearth and present the artwork drawn by studio artists that served as inspiration for Disney's iconic films and shorts."-A Site Called FredHoliday Gift Guide pick "If you want to know about great animation, buy this book. You don't have to have the rest of the series (you should, if you can); it stands alone. If you want a gorgeous Disney art book, buy this book. If the world is terrible and you think there's no such thing as beauty, buy this book."-MiceChat"showcases hundreds of illustrations of Disney characters, including ones that never made it to the screen" -Wall Street Journal"offers a wonderful Disney History lesson on six artists who are mostly unknown to even the most well read Disney animation fans. Didier Ghez's research in creating this book is fantastic, with resources from the descendants of each artist and art collected from various institutions and private collectors. Not only does this volume make a great holiday gift, but Ghez is working on at least three more releases and this could become your gifting tradition to the Disney fan in your life."-The Laughing Place"This book tells the story of each of these artists - Eduardo Sola Franco, Johnny Walbridge, Jack Miller, Campbell Grant, James Bodrero and Martin Provensen - with ample examples of their artistry. The book also contains new facts and finds, uncovered by Ghez during the course of his research, including the only known photograph of Bela Lugosi posing as "Chernabog" for Fantasia, abandoned sequences for Dumbo, and a hilarious selection of unused screwball characters, created by Walbridge, for the Tulgy Wood sequence in Alice in Wonderland. And that's just the tip of the iceberg. These books are absolutely vital, visually delightful and masterfully written. Thank you, Didier, for all you do - and for this a series of incredible books. Long may they continue! "-Cartoon Research"These books truly show some of the "hidden" artwork from Disney. It's amazing to see these lush illustrations and paintings, some of which are far from what you imagine as "Disney animation." The stories of the artists are fascinating and, in some cases, heartbreaking. If you want to dive a little deeper into the history of Disney, these books are a great place to start."-Geek Dad"The third in Didier Ghez's extensive survey of concept artwork for films from Disney's golden age is another treasure-trove of beautiful drawings, along with intimate profiles of six artists: Eduardo Sola Franco, Johnny Walbridge, Jack Miller, Campbell Grant, James Bodrero, and Martin Provensen."-Leonard Maltin, Film Critic and Historian"The text is fascinating, offering a wonderful insight into the work and the period, and works well with the images. Any 'Art of' book (for most people anyway) stands or falls on the images included, and here the book is a triumph; digging deep into the rich history of a studio like Disney and managing to present us with both works that we haven't seen before and beautiful and interesting art." -Starburst Magazine"The histories alone are worth the price of admission for giving insight into these people but the sketches are something else and with a lot of sight gags as well. There are two more volumes in this collection and based on this one, I'm looking forward to an interesting read"-SFCrowsnest

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Product details

Hardcover: 248 pages

Publisher: Chronicle Books (October 10, 2017)

Language: English

ISBN-10: 1452151938

ISBN-13: 978-1452151939

Product Dimensions:

9.4 x 1.1 x 11.4 inches

Shipping Weight: 3.4 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#208,461 in Books (See Top 100 in Books)

Yet another amazing book from Didier Ghez. The artwork is incredible in its scope and beauty. I have over 350 Disney themed books, and I can attest to the fact that 90% of the artwork is indeed previously unpublished. It is eye opening to see concept art for "Peter Pan", "Lady and the Tramp", and "Alice in Wonderland" from the early 1940s and how this art is reflected in these movies over a decade later.The concept art for "Don Quixote" and "Fantasia" alone are worth the price of the book.Buy this book NOW to ensure the future titles in this series see the light of day...please!!!!

They Drew as They Pleased - Vol 3: The Hidden Art of Disney's Late Golden Age, by Didier Ghez, is a must have, for animation fans as well as Disney fans! This third volume is chock full of some incredible, never-before-seen artwork created by the Disney studio artists in the 1940s and as the studio prepared for films like the breakthrough Fantasia, Dumbo, Pinocchio, Cinderella, and Peter Pan. There are chapters on artists such as Eduardo Sola Franco, Jack miller and several others. With preliminary sketches, background paintings, first hand commentary and artists' diary entries, we see the great momentum that Disney inspired in his artists. Much of this art never appeared on screen but made the Disney films some of the most important films ever made. Walt's Character Model Department is showcased, with the maquettes of characters and props that would be used in the films. The book is a meticulous record of just a portion of the Disney's legacy!

Next to the Story Department, The Character Model Department was also the heart of creativity at the Disney Studio. John Canemaker wrote a chapter in his book "Before The Animation Begins" about the inner workings of the department and the key personnel. A book on this topic really needed to be written and Didier Ghez was just the person to do it. Didier had told us that this would be the best entry in the series and for good reason.In addition to giving more in depth insight and understanding to the origins, functions, and personnel who worked in the Character Model Department, we're also treated to some insight on the development of features that were shelved for several years. Many dedicated fans know that most of the Disney features released in the late 40's and 50's were actually in production by the start of the 40's, but shelved due to economic setbacks and WWII. There are many model sheets and story sketches from those features and the features released during that timeframe. Chief among them are character model sheets for Peter Pan that are dated 1940. Michael Sporn posted those on his blog over ten years ago, but its nice to have them in published form. One of my favorite pieces is for a proposed Goofy short "How To Become Hep", in which Goofy learns the then current dance trends. Complete with Goofy in a zoot suit. That surely would have been an interesting period piece from Disney.What would have been cool to see in this volume, is previously unpublished art from Joe Grant, one of the most creative and inspired artists and storytellers ever. As the head of this department, his contributions are especially worth noting.This series has gathered lots of concept art from the Disney studio, several unseen by the public. What would be cool to see is an additional series, which shows concept art by film and even give further insight on unproduced films.This volume covers a wide array of feature films and unproduced films. This and the new information presented make it a must have for the Disney connoisseur.

This is another gorgeous entry in the They Drew As They Pleased series, this time looking at the Character Modeling Department at the Disney Studios, which officially existed from 1938-1942, though the artists may have been with the company before or after that span.As with the other volumes, Didier Ghez presents an introduction to the artists' group at the studio and what their general focus was, followed by brief biographies of a half dozen artists and examples of their work. From what I understand, the Character Modeling Department was tasked primarily with inventing characters and creating artistic inspiration that would be distilled into animation-friendly drawings. This is in contrast with the Story Department concept artists profiled in volume 2 of the series (1940s - Part One), who worked with a lot of mood pieces, background art, and more general character inspiration. I felt like the introduction to what exactly the Modeling Department was supposed to do was a little confusing, and like I was missing some vital background information on the politics and organizational structure of the Disney Studios, which is not something I felt when reading the other volumes, and feels a bit strange because I'm not unfamiliar with the topic. I think, though, this is at least partly because the department itself wasn't entirely set on a single task, as is demonstrated in the biographies for how the artists were hired in. That the lack of clear purpose is historical and not a lack in Ghez's writing is supported by the artwork included. It is primarily character studies, with occasional further concept art to develop the characters.I was a little disappointed that there are only a couple photos of the maquette sculptures that were created, even though one artist's profile specifically calls him out as being a sculptor, and the maquettes were something of an invention by the group. I was also disappointed that none of the women in the department were featured, even though there were at least two explicitly named and included in the men's profiles, but that could be explained by space constraints and their relatively shorter time or smaller repository of work in the archives. Three or four of the artists were very close friends, they even shared a house together for a while, and it was nice to read about each of them, but that does take space away from Fini and Sheila.I love this series for the quality of the books, for the interesting look at how artists' unique skills and styles fit into an animation studio's needs, and also for the wonderful artwork. It is as much an art book about artists and their paying-the-bills jobs as it is about Disney history. In fact, I forgot that I had won a copy through the LibraryThing Early Reviewers program and bought my own when I happened to see it was newly released, because I found the previous installments to be such excellent work. Despite I would have liked to see a more expanded look at the Character Modeling Department artists and role, this third volume continues to be excellent, and I hope that Ghez will continue with a fourth volume that picks up after the mass layoff that ended most of these artists' careers at the Studio.

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They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez PDF

They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez PDF

They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez PDF
They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two), by Didier Ghez PDF

Wednesday, March 17, 2010

PDF Ebook A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos

PDF Ebook A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos

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A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos

A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos


A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos


PDF Ebook A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos

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A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos

About the Author

Nick Verreos grew up in Venezuela as the child of a Greek-American Diplomat father and a glamorous Panamanian mother. During these early years, he began his love affair with fashion, but always considered it more of a hobby instead of a potential career. After graduating from UCLA with a B.A. in Political Science, he eventually decided to pursue his true love: fashion. He graduated from the Fashion Institute of Design and Merchandising (FIDM) from the Advanced Fashion Design Program and worked for 10 years in the fashion industry before launching his own clothing line, NIKOLAKI, in 2001. Celebrities such as Heidi Klum, Katy Perry, Carrie Underwood and Beyonce have all worn his designs. Nick received national and international attention after appearing on the hit TV show Project Runway and most recently, he was the Winning Mentor of Project Runway: Under the Gunn. As a TV personality, he has enjoyed great success as a red carpet fashion expert and correspondent for E! Entertainment, Style Network, NBC and CNN International. Nick has been a regular panelist on TV Guide Network's Fashion Wrap for the Golden Globes, Grammys, SAG Awards, Primetime Emmys as well as a live red carpet correspondent for the Academy Awards. After teaching fashion design, draping, patternmaking and fashion sketching for five years at his Alma Mater FIDM, Nick also became the official spokesperson for the college, traveling yearly to all campuses to inspire future students. In addition, he has reached over a million viewers with his popular YouTube show, Design School with Nick Verreos, as well as his popular style blog, NickVerreos.com. Nick launched his NV Nick Verreos line of contemporary clothing in 2014. His collection has sold at Dillard's and Lord & Taylor department stores and the Home Shopping Networks including EVINE Live (USA), QVC UK, QVC Milan and The Shopping Channel (Canada).

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Product details

Paperback: 208 pages

Publisher: Post Hill Press; Reprint edition (March 13, 2018)

Language: English

ISBN-10: 1682614689

ISBN-13: 978-1682614686

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#105,725 in Books (See Top 100 in Books)

I enjoy listening to Nick and following his lessons on ine; it makes me feel as if l am back in the classroom. Further, it gave me a clearer understanding of drawing the "croquis" for sketching. Nick's instructions are very clear and it is such fun to listen and follow. I have purchased his book, "A Passion for Fashion"; it is super! The book is challenging me to get back into pattern making and sewing...l am a big fan of NICK!!

Interesting read though it resembled more a rough autobiography than a book with fashion tips. While those were also present I had bought it under the impression that was more in line with the youtube turorials where the recommendation had come from.

Informative and inspiring. It must be a lot better if there's less personal narrative.

What a Gem, love Nick to pieces, taught me so much. love, love, love and more love.

Expected a little more for my money

The book very nice

Enjoying reading this book. For those who are interested in fashion, this is a must-read book! Nick's passion for fashion is admirable.

Love the book... Thank you...

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A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos PDF
A Passion for Fashion: Achieving Your Fashion Dreams One Thread at a Time, by Nick Verreos PDF

Monday, March 15, 2010

PDF Ebook Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society)

PDF Ebook Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society)

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Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society)

Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society)


Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society)


PDF Ebook Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society)

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Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society)

Review

“A great contribution to our understanding of the interaction of international human rights norms and local culture. Sally Engle Merry succeeds in showing the complexity of this relationship through a solid grounding in a great deal of field research.” (Cynthia Bowman, Northwestern University School of Law 2005-07-01)“In this fascinating and important book, Sally Engle Merry provides an extraordinary account of the complex articulations of bureaucracy, policy, and local culture around the issue of violence against women. Human Rights and Gender Violence makes a convincing argument for taking seriously the notion of local cultures and provides a model for how context, translation, values, and the particulars of social and institutional life can be given consideration.”--Donald Brenneis, University of California, Santa Cruz (Donald Brenneis, University of California, Santa Cruz 2005-07-01)"Merry provides an excellent model of how to conduct multi-sited fieldwork in a deterritorialized world, demonstrating how ethnography permits engagement with the fragments of a larger global system. . . . Wonderfully clear and engaging writing." (Penny Van Esterik Canadian Review of Sociology and Anthropology)"A book that should be read by every sociologist interested in globalization, international law, or human rights." (Elizabeth Heger Boyle American Journal of Sociology)"Merry does an invaluable service by marrying a broad methodological prescription for the analysis of human rights issues to a multi-layered discussion of diverse, compelling cases. Indeed, Merry's lucid writing, diverse tiers of analysis and insightful case studies ensure that this book is appropriate for both scholars and undergraduates with even a passing interest in human rights, ethnography or contemporary women's activism. In the end, the book provides a forcefull call to enlist the nuanced tools of cultural anthropologists and others familiar with non-western law and politics in the service of a spirited defense of the continued political vitality and impact of universal rights law." (David Mednicoff Law and Politics Book Review)"A valuable contribution to our thinking about international human rights, both because it examines in empirical detail the interaction between the transnational culture of human rights and alternative cultural discourses in specific contexts and because it acts as a corrective to oversimplified assumptions about the meaning of international human rights and the meaning of culture." (Kimberly Hutchings Ethics and International Affairs)

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From the Inside Flap

Despite the best efforts of the United Nations and advances in human rights law, violence against women across the globe is still perpetuated in the gap between legal principle and local practices. Human Rights and Gender Violence investigates the tensions between global law and local justice from an insider’s perspective. As an observer of UN diplomatic negotiations as well as the workings of grassroots feminist organizations in several countries, Sally Engle Merry shows how human rights law holds authorities accountable for the protection of citizens even while it reinforces and expands state power. Using an approach that is both legal and anthropological, Merry contends that international human rights law must be framed in local terms to be accepted and thus effective.

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Product details

Series: Chicago Series in Law and Society

Hardcover: 264 pages

Publisher: University of Chicago Press; 2 edition (December 15, 2005)

Language: English

ISBN-10: 0226520730

ISBN-13: 978-0226520735

Product Dimensions:

6.2 x 1 x 9 inches

Shipping Weight: 1.1 pounds

Average Customer Review:

4.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#447,365 in Books (See Top 100 in Books)

Book for Anth of human rights course.Great way to learn about how the UN really functions. To me, that's far more what this book is about than gender across the globe. It's about how the UN deals with issues and how countries put forth (or don't) their agendas.

very good!

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Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society) PDF

Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society) PDF

Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society) PDF
Human Rights and Gender Violence: Translating International Law into Local Justice (Chicago Series in Law and Society) PDF

Friday, February 26, 2010

Free Ebook , by The Arbinger Institute

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Product details

File Size: 2045 KB

Print Length: 289 pages

Publisher: Berrett-Koehler Publishers; 2 edition (July 13, 2015)

Publication Date: July 13, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00SGET4BS

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Amazon Best Sellers Rank:

#22,419 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Some great business and personal principles in this book. Not as good reading as its successor, but still a good book to have in your business library.

This is one of the best books I have ever read. Some books I read are entertaining, some are inspiring, some are educational, and some are life changing. This book has been life changing for me. I have purchased several copies that I have given as Christmas presents and plan to give some as wedding gifts as well.Some of my favorite quotes are:"We can treat our children fairly but if our hearts are warring toward them while we’re doing it, they won’t think they’re being treated fairly at all....As important as behavior is most problems at home, at work, and in the world are not failures of strategy but failures of way of being.""We first need to find our way out of the internal wars that are poisoning our thoughts, feelings, and attitudes toward others. If we can’t put an end to the violence within us, there is no hope for putting an end to the violence without.""And we have seen how one warring heart invites more "object seeing" and warring in others."...."No one can force a warring heart upon us. When our hearts go to war, we ourselves have chosen it.""Because when I betray myself I create within myself a new need-a need that causes me to see others accusingly, a need that causes me to care about something other than truth and solutions, and a need that invites others to do the same in response.""As painful as it is to receive contempt from another, it is more debilitating by far to be filled with contempt for another.""A heart at war needs enemies to justify its warring. It needs enemies and mistreatment more than it wants peace.""Whenever we need to be justified, anything that will give us justification will immediately take on exaggerated importance in our life. Self betrayal corrupts everything-even the value we place on things.""the more sure I am that I’m right, the more likely I will actually be mistaken. My need to be right makes it more likely that I will be wrong! Likewise, the more sure I am that I am mistreated, the more likely I am to miss ways that I am mistreating others myself.""Difficult people are nevertheless people, and it always remains in my power to see them that way.""Everyone I hated was always with me, even when I was alone. They had to be, for I had to remember what and why I hated in order to remind myself to stay away from them.""It isn’t so much what you did as what you invited.""Because most who are trying to put an end to injustice only think of the injustices they believe they themselves have suffered. Which means that they are concerned not really with injustice but with themselves. They hide their focus on themselves behind the righteousness of their outward cause.""It is not the sense of what to do but the desire to do it that’s at issue...When we have recovered those sensibilities towards others, we must act on them.""You have the biggest influence in your children’s lives, so if we want to be a positive influence with your children we better have strong relationships with you.""If we don’t get our hearts right, our strategies won’t matter. Once we get our hearts right, however, outward strategies matter a lot.""Our passions, beliefs, and needs do not divide but unite: it is by virtue of our own passions, beliefs, and needs that we can see and understand others’. If we have beliefs we cherish, then we know how important others’ beliefs must be to them."

I can't say enough about this book. I am a clergyperson and it was recommended by our Bishop. Somewhat reluctantly, I decided to read what I anticipated would be a boring book. I was very pleasantly surprised. The book is set in a two day seminar for parents whose "Problem" children are enrolled in a behavior modification program. That setting and the dialogue as people processed the material kept me interested initially. As I got into it more, I no longer needed that construct. I recommended the book to our book club and our members were unanimous in their praise of the book. When we came together we were all eager to share what we had learned and how we could see it applying in our lives. We decided that it would be great if we could engage more of our congregation in discussion of this book over a longer period of time. I purchased the kindle edition and my only concern about that is that it was difficult to read some of the diagrams. I found myself copying them into a notebook for quick reference. I am fairly certain that I will also purchase a hard copy of the book because it is a book that I think would be worth owning in hard form. I have recommended it to several other people and can easily imagine reading this book multiple times. The principles apply all across the spectrum of human relationships and situations.

I love books written in story form that teach and change the way we look at the world. This is such a book. I love that you got to experience the change of heart of each person in the story and that your own heart is changed. I am trying to change the way I feel about myself and others and too look at everyone with love. I have a long road but I really feel this book has helped open a door.My absolute favorite quote from the book is " Acts of self -betrayal such as those I've mentioned are so common they are almost ho-hum. But when we dig a little deeper, we discover something fascinating about self-betrayal". He looked around at the group." A choice to betray myself". he said "is a choice to go to war".I have learned that my heart has been at war for a long time, with myself mostly so it reaches out to all around me. It stops us from seeing people as human and they become objects or other negative things. I like to remind myself that everyone is my bother or sister and we are all connected. Would I yell at my brother if I didn't get my way at a restaurant, I wouldn't, but if you look at that waiter as an object not giving you what you want you might yell. Not because you are a jerk but because your heart is at war and you don't know another way. I loved the justification boxes and will be studying those for a while I don't want to fall back into those boxes.This was an awesome book and now I add to my prayers that my heart be a heart of peace not war.If you liked this book you might like Zero Limits and Remembering Wholeness and You can Heal Your life.

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PDF Ebook Birimisa: Portraits, Plays, Perversions

PDF Ebook Birimisa: Portraits, Plays, Perversions

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Birimisa: Portraits, Plays, Perversions

Birimisa: Portraits, Plays, Perversions


Birimisa: Portraits, Plays, Perversions


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Birimisa: Portraits, Plays, Perversions

Review

George Birimisa captures the essence of America's treatment of gays and lesbians in the 1950s. He is a skilled playwright who revises the techniques of the classical drama. He draws the audience into the plot as it unfolds to experience the reality and emotions of its characters. --Del Martin and Phyllis Lyon, reviewing The Man With Straight HairGeorge Birimisa's Daddy Violet is an abstract, delightful piece that successfully combines two old antagonists: realism and surrealism. --Dan Sullivan in the New York TimesThis story of the American lower classes had a gritty, inescapable realism that brought to mind the Genet of The Thief's Journal. --L.C. Cole in New York Native, reviewing Looking for Mr. America

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About the Author

George won the Harry Hay award in 2005 for his decades of inspiration to young activists and writers. He has received numerous literary and theatrical awards, including a 2008 Lambda Literary Foundation book award for his contributions to Return to the Caffe Cino, published by Moving Finger Press.George began writing during the Great Depression, trying to tell his story in prose: a story of abandonment by his mother, the death of his Communist father, years in a Catholic orphanage, and brutality at the hands of a homophobic society. After writing five very bad novels he wrote a play with a gay theme. Insecure about his lack of formal education, he had discovered an art form in which he didn t have to worry about his grammar. With excellent reviews in the Village Voice and the New York Times for his Daddy Violet; a world of creativity opened up to him. George moved to San Francisco in 1980. His Pogey Bait and The Man With Straight Hair were produced at Theatre Rhinoceros, and he starred in Looking for Mr. America, at Josie's Cabaret in San Francisco and La Mama, E.T.C. in Greenwich Village.George is the proud facilitator of Bruised Fruit: An Intergenerational Writing Workshop in San Francisco.At 85, George is busy at work on his memoir, Wildflowers.

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Product details

Perfect Paperback: 372 pages

Publisher: Sweetheart Press; First edition (September 1, 2009)

Language: English

ISBN-10: 0977421449

ISBN-13: 978-0977421442

Package Dimensions:

9.4 x 6.7 x 1 inches

Shipping Weight: 1.6 pounds

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,058,105 in Books (See Top 100 in Books)

I just reviewed this book at the Bilerico Project ([...]) for LGBT History Month. George Birimisa is one of the pioneers of alternative theater in the U.S. It used to be called "off-off-Broadway," since the movement started in New York City, as a reaction to the commercialization of Broadway. Starting around 1960, low-budget productions of experimental plays with defiantly unconventional themes began to be pop up around New York City in impromptu performance venues like coffee houses, church halls, clubs, lofts. Birimisa was one of the emerging playwrights on this scene --and one of the first to deal openly with homosexuality, in his "Daddy Violet," produced at the now-legendary Caffe Cino in the mid-60s. Among his admirers was Tennessee Williams.This anthology includes his best-known plays, a number of his short works about his life -- and profiles by people who know him best. One of the most vivid threads is about the time Birimisa spent in the U.S. Navy during World War II.For those who have no idea that the Sixties were about way more than hippies and LSD, this anthology plunges the reader into the social flavors and language and groundbreaking creativity of the times. It's well worth the read.

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Monday, February 22, 2010

Download PDF Good Faeries/Bad Faeries, by Brian Froud Terri Windling

Download PDF Good Faeries/Bad Faeries, by Brian Froud Terri Windling

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Good Faeries/Bad Faeries, by Brian Froud Terri Windling

Good Faeries/Bad Faeries, by Brian Froud Terri Windling


Good Faeries/Bad Faeries, by Brian Froud Terri Windling


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Good Faeries/Bad Faeries, by Brian Froud Terri Windling

Amazon.com Review

Why are large, illustrated works offhandedly relegated to gather dust on the corner of your coffee table? Sure, you will want to put Good-Faeries/Bad Faeries in an obvious place, somewhere your friends will see it and pick it up, but it's far more than mere decoration. Froud's illustrations have delighted readers since his first book, Faeries, introduced us to the little people of folklore. Good Faeries/Bad Faeries is a doorway to the faery realm of the 20th century, where you'll meet delightful characters like Quempel, who dances to celebrate when something is done well; or the Buttered Toast Faery, who decides which side of a dropped piece of toast will hit the floor--faeries who will call you back so often that Good Faeries/Bad Faeries won't have a chance to gather dust. --Brian Patterson

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From School Library Journal

YA-Froud's collection of fanciful sketches encompasses both the benevolent and the malevolent species of the tribe Faeries. The structure of the book is reversible with the jacket proclaiming "Good Faeries," matched on the flip side with the title "Bad Faeries." An introduction to each section covers Faery Blights, Faery Defects, Glamour, and Music, and offers advice to humans on protection against the meddling of the Bad Faeries. There are paragraphs on naming, classification, and a further delineation of earth, water, fire, and air Faeries. This is followed by an exposition on Faery physiognomy-their wings, eyes, ears, heads, and size. Faery communication and healing are also discussed. The illustrations are the heart of the book, whether done in black and white, sepia, or full color. They are vivid, full of vitality, and wonderfully varied. With unnumbered pages, this is primarily a sketchbook for readers to leaf through and marvel at the creative bent that depicts the countenances of: "The Buttered Toast Faery," "The Wrong Decision Faery," and the "Pot Pixie." While not as glamorously elegant as their counterparts, the Bad Faeries are indeed beautiful in their own right. Handsomely jacketed, this is a whimsical, charming, artfully crafted book.Frances Reiher, Fairfax County Public Library, VACopyright 1999 Reed Business Information, Inc.

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Product details

Hardcover: 192 pages

Publisher: Simon & Schuster; Fourth Printing edition (October 15, 1998)

Language: English

ISBN-10: 0684847817

ISBN-13: 978-0684847818

Product Dimensions:

9.2 x 0.9 x 11.2 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

166 customer reviews

Amazon Best Sellers Rank:

#269,915 in Books (See Top 100 in Books)

This is amazing to look through. The art is stellar and the lore is captivating. While not all faeries were given proper descriptions, you could clearly tell their characteristics just by looking at them. There is some partial nudity, but nothing beyond that. The book is pretty big, so it can't actually fit in my shelf; that's a bummer.The odd thing about the book is the way they chose to divide the Good Faeries from the Bad Faeries. Instead of seamlessly going from front to back (as usual), you actually have to flip the book around. This makes it very inconvenience for me, since my desk space is rather limited.

Froud's art is, as always, tremendously beautiful. There is a uniqueness to his work which makes it exceptionally poignant and unforgettable. He, along with Tony DiTerlizzi, is one of the only artists I know of that have such talent. The reason I'm only giving this four stars, though, is that I was expecting it to be more of a field guide of the Faery world. It's more a collection of Froud's art than anything else. The writing is rather light, and not very fleshed out. Some images don't have an explanation as to what they are representing, and when they do, it is often only a few lines that doesn't tell the reader much. If you're more interested in the art aspect than the lore of the Faery world, or a huge fan of Froud like myself, then buy this book!

Ordered this and got it promptly shipped. Was absolutely beautiful, the book in perfect condition. I adore Brian Froud's work! I would suggest that if you're buying this for children that you understand that many of the faeries are in the nude, so if you are a bit more on the conservative side, please take that into consideration. My family has excitedly perused the pages and begun their journey on learning everything from water fay to faeries named Grig, and love the artwork exceedingly. Mr. Froud's enchanting prose to accompany the fanciful and whimsical artwork, allowing us a peek into his mind and state as he created this world of faeries for us, has been really enjoyable. Highly recommend this to anyone looking to learn more of the world of the Fae!

I love the art of Brian Froud and this book does not disappoint his fans or readers who seek to learn about the many types of fae-beings he has imagined. His voice even alternates in his writing with the voice of faeries from the realm. The book defines Good Faeries and Bad Faeries and there is a section in the middle that delights! The Good Faerie can be turned upside down to see a completely different (probably bad) faerie, and vice versa as the Bad Faeries section approaches the Good Faeries. There is some nudity among his fae-beings. The drawings and paintings are beautifully rendered and informative.

Brian Froud has found his place an authority on the fae for good reason. This was a fun read with numerous depictions of the faerys populating Mr. Froud's world. I had to take one star because I began to notice that so many of his faery's looked so much alike. After all, if they each have the own agenda and culture why would they mostly have the same body type and facial features. I decided to accept it as a slice of faerys inhabiting Mr. Froud's world.

I love the artwork - it brings back alot of happy memories to have this book again. I had it years ago when I was 14 but my sister let a friend borrow it and I never saw it again. So it's exactly as I remember. Love it!

This book is sensational. I'm a huge Froud fan to begin with, but this book is by far...my ultimate favorite. It is put together so ingeniously, the writing and images leave you with a haunting feeling that is reminiscent of childhood imagination and pure Faery Magic. Will induce a case of the goosebumps each time you flip through it's pages, if you believe in Faeries, then you'll know what I mean ;-) Good Faeries/Bad Faeries is presented in such a unique and imaginative way that you cannot help yourself but to get lost within it's amazing World of Wonder.

An amazing book filled with mysterious faeries both good and bad. The art work is beautiful. The folklore makes you think of a time of magical beings. This leads you to wonder … Could I see them today? Are they there just beyond the veil?

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Thursday, February 11, 2010

Free Ebook , by Chris McMullen

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Product details

File Size: 34767 KB

Print Length: 220 pages

Publisher: Zishka Publishing (April 16, 2018)

Publication Date: April 16, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07C7WHV3R

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Amazon Best Sellers Rank:

#44,338 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is an excellent resource for those who need some brushing up on algebra skills AND for those currently taking algebra. The step by step solutions are a big plus for students just starting out. For old has-beens like myself this is a great text to keep up with my skills even though the chances of me ever using them at this stage of my journey in life are next to nil. I just solve a few problems daily for the heck of it. This is a far better investment for me than blowing the amount at Starbucks or other such frivolities.An excellent resource at a reasonable price.

I found book to be nothing special. The majority of the problems are way to easy and can be solved using standard solutions for quadratic equations. Overall level is second grade highschool (not sure about other countries but that is 16 years old students in Serbia). Could be that I expected a bit more challenging problems.The one thing that really bothered me about the style of writing was that when the solution is calculated using algebraic methods there would be "proof" of results by ways of substituting the solution into the original problem and stating "the solution holds" - well of course it holds when you just used proper methods to obtain it! It kinda undermines the authority of the writer like he is not sure about the methods and maths he just used so let's test the solution "just in case"...Again, nothing special here, it is early highschool level.

Better off just with the free stuff off the Internet.

I really enjoyed this book. I got it, not because I'm some kind of math "geek", but just because I thought it could be interesting, and it definitely didn't let me down. It was very interesting and informative if you have any interest in math, and obviously algebra. I have to say it's not for a beginner, but if you've at least taken even high school algebra or higher you should be able to follow along and learn some new info and skills.

Good challenging problems. Let me know how rusty I was. The solutions were very clear. Was able to solve about half of them correctly, while the other half came back eventually after going over the solutions. Was a lot of fun. Hope he writes another one.

This is a great book for either developing good conceptual understanding and technical problem-solving skills or maintaining them. The problems are a good selection of both straightforward equations/inequalities/systems of equations, or word problems leading to them. The level of challenge is consistent and a successful solution requires focus and facility with numerical techniques. Moreover, the solutions are detailed, the explanations clear, and the conceptual clarifications important. Overall, a great book and highly recommended for advanced students.

I just got the book today. After looking through it,there are definitely hard and easy problems. It’s a good book if you want to review or just do for fun.

I love this little book! Lots of practice problems and their solutions. Sneak a little fun into any situation no matter where you go- paper, pencil, and an algebra problem! Fun, fun. Fun!!!

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