Download PDF Seven Days in the Art World, by Sarah Thornton

Download PDF Seven Days in the Art World, by Sarah Thornton

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Seven Days in the Art World, by Sarah Thornton

Download PDF Seven Days in the Art World, by Sarah Thornton

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From Publishers Weekly

Starred Review. The hot, hip contemporary art world, argues sociologist Thornton, is a cluster of intermingling subcultures unified by the belief, whether genuine or feigned, that nothing is more important than the art itself. It is a conviction, she asserts, that has transformed contemporary art into a kind of alternative religion for atheists. Thornton, a contributor to Artforum.com and the New Yorker, presents an astute and often entertaining ethnography of this status-driven world. Each of the seven chapters is a keenly observed profile of that world's highest echelons: a Christie's auction, a crit session at the California Institute of the Arts and the Art Basel art fair. The chapter on auctions (where one auction-goer explains, [I]t's dangerous to wear Prada.... You might get caught in the same outfit as three members of Christie's staff) is one of the book's strongest; the author's conversations about the role of the art critic with Artforum editor-in-chief Tim Griffin and the New Yorker's Peter Schjeldahl are edifying. Thornton offers an elegant, evocative, sardonic view into some of the art world's most prestigious institutions. 8 illus. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

*Starred Review* Art and business, personal quests and personality cults, big bucks and the triumph of concept over beauty, being cool and in the know—these are the cardinal points in the contemporary art world. Enter Thornton, an art historian and sociologist with moxie and a brilliant game plan. Willing to ask obvious questions, she infiltrates the seven circles of this competitive realm. An astute observer and stimulating storyteller whose crisp sentences convey a wealth of information, Thornton marvels at the military precision of a Christie’s auction and the wild improvisation of an art-school critique. On to Art Basel, a major international art fair where the “hard buy” rather than the hard sell is the rule since an artist’s reputation is tied to those who own his or her work. Thornton witnesses the final stage in the judging and presentation of the Turner Prize, watches editors at work at Artforum, attends the coveted Venice Biennale, and spends a dizzying day with the wizardly artist-entrepreneur Takashi Murakami. Thornton’s uniquely clarifying dispatches from the art front glimmer with high-definition profiles of artists, dealers, critics, and collectors, and grapple with the paradoxes inherent in the transformation of creativity into commodity. --Donna Seaman

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Product details

Hardcover: 304 pages

Publisher: W. W. Norton & Company; First Edition edition (November 3, 2008)

Language: English

ISBN-10: 039306722X

ISBN-13: 978-0393067224

Product Dimensions:

6 x 1.1 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

169 customer reviews

Amazon Best Sellers Rank:

#259,923 in Books (See Top 100 in Books)

This book helps us understand how confused the elitist tendencies of the art establishment have made the world of art. But it is also misleading - because the topic is NOT the "Art World". Ms. Thornton covers only that segment of art that she enjoys - then claims it’s exceptionally important. She also fails to be a neutral writer or ethnographer.This book is not ethnography. Ethnography involves a disinterested observer (or observer with a pre-existing opinion taking an intentionally neutral position) and going into an environment with people to study their interactions. First, and foremost, to be valid ethnography it requires that the writer describe how the specific population segment they study relates to other populations.It’s also not ethnography in that it’s mostly record of interviews - interviews that don’t add much. That it’s reporting isn’t surprising - her career has been spent reporting. But the claim to be much more is specious.Ms. Thornton does admit in her afterword to the later edition to being an enthusiast for contemporary art - and seems incapable of understanding or explaining where contemporaray fits up against a much, much larger world of art and set of artists. (I suppose it was a great sales tactic though for hyping up the book and getting it bought by a publisher.)She also fails to sort out how to observe neutrally - no matter her opinion. Many of the characters she’s with assume persona’s of "edgy" while truly being pretty mundane - a fact she misses. She also fails to see (apparently) that they are rehashing essentially the same things that have been made for nearly 70 years...that little of the theories postulated by the collectors, critics, or artists are “new”.The writing covering the first two days is quite compelling and I enjoyed those parts (tho’ frustrated by her inability to be an ethnographer). The remaining 5 days were pretty dull writing - but I wanted to make sure I read through each of the events. I suppose her “studio visit” was most hilariously odd. It wasn’t a visit to a studio - but to a factory with the tour given by the CEO. Yet rather than search ethnographically to understand and give insight to this variation, she wholeheartedly embraces the CEO.As a last thought, she is fascinated by art that has the approval of this elite crowd - it’s the art she embraces. What strikes me is that she seems to lack the interest and enthusiasm for art that doesn’t have that approval - art which probes the depths of the human and expresses what’s essentially human. Certainly we could all argue about what makes something to be art and never resolve that question - because everyone answers the question differently. But this fact is what is so sadly missing from this book - the only important question in the true world of art.

This book was just okay...nothing terribly interesting about it. Overall, I enjoyed the chapter about the Christie's auction the most, as it seemed like a very entertaining "show". The chapter called "The Magazine" was so boring and esoteric that it was virtually unreadable. The rest of the chapters were alright, with a mix of interesting and mind-numbingly dull sections....(a bit how I feel going to a modern-art gallery itself). I did expect to learn more about the art world than I did in this book, so it ended up being fairly disappointing in that respect. The saddest aspect of all is that I had a suspicion confirmed...the art world at this level is controlled by the rich and elite, so it's just another big corporate business! (Just read the chapter about the "artist" Murakami and you'll see what I mean).

This book is an ethnography (the writer as participant/observer) about the art world. Its message about art as a commodity and the art scene as a performance piece in itself came as no surprise to me as my husband is an artist. At one time we lived in New York and he was represented by a New York Gallery. When you read this book you will understand why we moved back to Alaska. Being an artist in the art world is like wearing a sign on your back that says 'hit me' or else feeling like you're some kind of wind-up toy that must perform in a set way.The book is divided into seven chapters, each elucidating one specific aspect of the art world. These chapters are:The Auction - About a Christie's big-time auction in New YorkThe Crit - About an art criticism class at CalArtsThe Fair - The Basel Art Fair in SwitzerlandThe Prize - The in's and out's of the Turner prize, awarded by Britain's Tate MuseumThe Magazine - About Artforum, an art magazineThe Studio Visit - Takeshi Murakami's studio and his work as an artist and entrepreneurThe Biennale - The Venice Biennale (or Studio 54 revisited)The commodification of art along with the hierarchy of dealers, collectors, curators and artists is in place all along the art feeding chain. While it was no surprise to me, it edified the sad state of the affairs in the art world. This book was written during the economic and art boom so the situation has likely changed along with the expendable money available to hedge fund founders and the general public.I was amazed to find out that one can not just buy art. Dealers like to choose who they will sell art to - they want art to go to an A-list collector and often collectors get on line to buy a piece of art by a particular artist. Production often does not meet the needs of consumption.If you are interested in details of the art world, you might enjoy this book. If you're easily jaded or have a weak stomach, I'd skip it. It goes into all the gory details of every aspect of art, from the artist who produces the work on up (or is it down)

LOVED this book, could not put it down. I am an artist and bought this based upon the other reviews and I am glad I did. I learned more about the art world and how it works. This book is like an insider's view of how the art world works, how galleries work and what each player in the game does. Very good information that you can use to educate yourself about the art world game in order to become more successful.

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Download Ebook Little Explorers: My Amazing Body, by Ruth Martin

Download Ebook Little Explorers: My Amazing Body, by Ruth Martin

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Little Explorers: My Amazing Body, by Ruth Martin

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From School Library Journal

K-Gr 3—Filled with details, these lift-the-flap titles cover familiar territory: the human body and vehicles. These slightly oversize board books feature much more information written at a higher level than most offerings in this format ("Trolleys are powered by electricity from overhead wires all along the route."). My Amazing Body lets readers know that though we are all different, ultimately we have many similarities. The book devotes a spread to various questions ("Where Did I Come From?"; "Where Does My Food Go?"). On the Move uses a similar presentation, with a different set of vehicles ("Trains and Trolleys," "Trucks and Vans") for each spread. The cartoonish illustrations are detailed and for the most part realistic, though a bit dull. The design of Move is a little less busy than that of Body and the labeling more useful. The material here is fairly straightforward ("Your two eyes let you see what is happening around you.") and should interest readers, particularly On the Move. VERDICT Suitable additions.—Susan Lissim, Dwight School, New York City

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About the Author

Ruth Martin studied English at York University before becoming a children's book editor and writer. With more than ten years' experience across a diverse range of children's books, Ruth writes and edits both fiction and non-fiction for children. She is the author of the Little Explorers series.Allan Sanders is a children's book illustrator with a quirky graphic style. Since graduating from the Royal College of Art in 1999, Allan has worked with clients including Pan Macmillan, Penguin USA, Quarto, and Templar, and he is the illustrator of the Little Explorers series.

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Series: Little Explorers

Hardcover: 18 pages

Publisher: little bee books; Ina Ltf edition (April 7, 2015)

Language: English

ISBN-10: 1499800401

ISBN-13: 978-1499800401

Product Dimensions:

8 x 0.7 x 8.8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

143 customer reviews

Amazon Best Sellers Rank:

#16,766 in Books (See Top 100 in Books)

This is an informative book, but I'm disappointed in two things. 1. The flaps are VERY easy to rip off. My 13 month old has already ruined several of them. I am putting it on a higher shelf until she's older, but I have a feeling that it still won't hold up to an older toddler. 2. Reproductive anatomy is mostly ignored. There's a section on pregnancy, but nothing on human genitals. They're a part of the body just like all the others and should be represented in a book like this! Otherwise, it's a good book for kids.

I have 4 kids ages 1,4, 10 & 15. I bought it mainly thinking it was only going to be of interest for the younger 2 but even my 10 year old is intrigued and my 15 yo is enjoys checking it out as well!! I'm ordering more from this company!!!I'm writing this review WITH NOO COMPENSATION from this company. Just a thrilled customer that can teach my children about their bodies wo BORING them!I'm just an avid amazon prime customer ; due to my 10 yo whom has a severe autoimmune disorder and can't go out and shop so AMAZON is my one stop shop, &&&& once again NO COMPENSATION given from Amazon just a satisfied consumer.

This little book is chock-full of information. I can see my students really enjoying reading each page together, lifting the flaps and having conversations about what they are reading. This book will be great for our human body unit in 3rd grade. I wasn't sure if it would be too young for 3rd grade. But I ordered it anyway thinking if it doesn't work for 3rd it will work for K & 1st. I do have an issue with the book, which is my pet peeve. There is a typo on the page "How do I see and hear?" Behind the flap of the tongue "flavor" is spelled incorrectly. It is listed twice. Once correctly as "flavour" which is a common spelling outside the U.S. But it is also listed as "flavurs". I did a little research to make sure this wasn't just a word spelled in a way that was unfamiliar to me. I did not find that as a correct spelling, Al though I did discover Flavur is a restaurant in Canada. As a librarian, I have a hard time adding this book to the school library because of this oversight. In the world of digital media it is so very common to see typos in digital print. It really bothers me to see a misspelled word in a print book. The content is so informative and the pictures are great. They are cartoon-like but descriptive and not at all babyish, so I will keep it in the collection. But I will cringe every time I check it out to a student hoping that they don't notice the misspelled word.

My amazing body-amazingly has no “potty parts”. What is that? We are just gonna pretend those parts don’t exist. I bought this to educate.

This is a great book. A ton of information presented at an age appropriate level (I got it for my 4.5 year old).One negative (being picky): on the page about pregnancy, it says that babies drink their mothers milk, which isn't always true. I don't have a good alternative for how they should explain it and I personally wasn't offended by it, just something to note if you're sensitive to the topic.A positive/negative: there is no discussion of the differences between boys and girls in this book. I'm using this as a starting point for the discussion with my daughter and using other books to elaborate, but just something to be aware of.

My 4-year-old daughter has had so many questions recently about how our bodies work. I was having a hard time answering them in an age appropriate way. I ordered her this book and she absolutely loves it. She just got it yesterday and I can't even tell you how many times we've read it. This is a great book to help explain human anatomy to kids.

This is one of my 2.5 year olds favorite books. She is always asking for her "body book". I wasn't sure if she was too young for it because it is a bit wordy although the flaps do keep it more interesting for little ones. She LOVES it. She will open the flap and say "Read!" and wants me to read every word on the pages. She has learned so much about her body from this book and it's very G rated, even the part about the baby in the mommy's womb is very age appropriate for her. I appreciate it doesn't have any mention of genitalia, etc in it as that would not make me happy to talk about with her at this age.

This is a fantastic little book with lots of flaps to lift. The flaps are great for younger siblings, while older ones can enjoy the information inside! The only reason it's missing one star is that I would expect a book on the body to cover all body parts, and this one doesn't. No need to shy away from these things!

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Free PDF Ferrari F40 (Osprey Classic Marques), by David Sparrow

Free PDF Ferrari F40 (Osprey Classic Marques), by David Sparrow

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Ferrari F40 (Osprey Classic Marques), by David Sparrow

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Product details

Series: Osprey Classic Marques

Paperback: 128 pages

Publisher: Osprey Pub Co; First Printing edition (July 1, 1994)

Language: English

ISBN-10: 1855324385

ISBN-13: 978-1855324381

Product Dimensions:

8 x 0.2 x 8.8 inches

Shipping Weight: 1 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,654,845 in Books (See Top 100 in Books)

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Free Download Color Mixing the Van Wyk Way: A Manual for Oil Painters, by Helen Van Wyk

Free Download Color Mixing the Van Wyk Way: A Manual for Oil Painters, by Helen Van Wyk

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Color Mixing the Van Wyk Way: A Manual for Oil Painters, by Helen Van Wyk

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Product details

Hardcover: 128 pages

Publisher: Art Instruction Assoc; 1St Edition edition (March 1, 1995)

Language: English

ISBN-10: 0929552091

ISBN-13: 978-0929552095

Product Dimensions:

9 x 0.8 x 11.5 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#125,948 in Books (See Top 100 in Books)

I have way too many books on art and a lot are just the same thing over and over. If I read them all I would never have time to paint. But this book is different. It is actually well worth reading and trying out stuff. Who would have though it was so easy to paint copper pots. If you only get one book on oil colors, get this one.

Best thing I ever did, buying this book. now I can throw away all those which are useless compared to this one.

This is a great book, full of information about color mixing and written in a very easy to read and interesting format. It is very helpful and it will give me the kick start I need to get back into oil painting.

Not always the way I want to paint but when I do it is a good helper

Practical advice

really a must-read for new artist in the mixing of colors. great book

I like that it deals with some of what I want to know.

If you're unsure about color mixing, or just a little rusty....this is a great guide. I love the step by step examples.

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Ebook Download Kraus Dental Anat & Occlusions

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Kraus Dental Anat & Occlusions

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This revision of a classic text on dental anatomy contains new illustrations and an updated content. New features include an updated account of mandibular function including the temporomandibular joint, a new section on anatomy of the pulp and periodontium and a revision of the biological significance of the masticatory system including the evolution of dentition. Histologic views are provided along with the gross anatomy.

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Product details

Hardcover: 384 pages

Publisher: CRC Press; 2 edition (September 8, 1992)

Language: English

ISBN-10: 1556641834

ISBN-13: 978-1556641831

Product Dimensions:

9 x 0.8 x 11.5 inches

Shipping Weight: 3.4 pounds

Average Customer Review:

4.2 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#2,879,481 in Books (See Top 100 in Books)

A modernized version would have been nicer. It had a lot of highlights and side notes in it. Not sure if it is irritating or helpful.

Very useful book, great pictures and drawings, for me better than Wheeler's.

Exactly what I was hoping for. This will be a core reference for years to comeRecommended by my guru in this field

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Download What Is the Stanley Cup? (What Was?)

Download What Is the Stanley Cup? (What Was?)

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About the Author

Gail Herman has written several biographies and nonfiction books, including Who Is Wayne Gretzky? and What Is the World Series?

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Excerpt. © Reprinted by permission. All rights reserved.

What Is the Stanley Cup?   Each June, a series of hockey games ends by crowning a championship team. The winner is the number one team in the United States and Canada, and perhaps the world.   The Stanley Cup is considered the most difficult sports championship to win, with thirty-one teams in the National Hockey League, sixteen teams in the playoffs, and three rounds of best-of-seven-games series before the finals.    Whew!   The prize is the Stanley Cup itself—the oldest and most famous sports trophy in the world. Its origins go back more than a hundred years. Thousands of fans have lined up around the world just to catch a glimpse of it.   After the final buzzer of the final game, the captain of the winning team is presented with the Cup. He lifts it high overhead. He circles the rink, his teammates following in a parade. In turn, they each take a lap with the prize.   Some players kiss it. Some cry. And some are surprised by its weight. (It weighs 34½ pounds.)   All these players know they hold history in their hands. The same “Presentation Cup,” topped with a copy of the original trophy’s bowl, has been awarded for more than fifty years.    Thousands of names are engraved in the bowl and on its bands—names of winning teams from the 1890s and, later, player, coach, and staff-member names.   Some teams listed—like the Vancouver Millionaires and the Montreal Wanderers—haven’t been around for almost a century.   Since 1995, the trophy travels the globe for about three hundred days each year. (The rest of the time, it’s on display at the Hockey Hall of Fame in Toronto, Ontario.) Each championship team member spends a day with “Stanley.”    It’s been to hometowns in the United States and Canada, plus Russia, the Czech Republic, Sweden, Finland, and even the tropical Bahamas. It’s been used as a bowl for popcorn, ice cream, cereal, and dog food. And two babies have been christened in it.   It’s the stuff of tradition and legend. And it all started with one man: a British lord, Frederick Arthur Stanley.     Chapter 1: The Start of It All   Ice hockey has roots in ball-and-stick games, dating back to the earliest civilizations. In colder climates, people played these sports on frozen ponds, eventually on skates. Canada, though, is considered the true birthplace of hockey, combining these games and First Nations (Canadian indigenous people) traditions. In Montreal, James Creighton, the “Father of Organized Hockey,” introduced the first real rules, holding an “official” hockey game indoors—using a puck instead of a ball—in 1875.   During the sport’s early years, players didn’t wear helmets, padding, or goalie masks. They stayed on the ice every second of the game. There were no nets, just posts hammered into the ice.   In June 1888, Lord Frederick Arthur Stanley and his family arrived in Canada. Queen Victoria of England had named him governor-general. At the time, Canada was a “dominion”—or territory—of England. The governor-general was appointed by the British king or queen to govern Canada.   None of the Stanleys knew about hockey. But Lord Stanley and his eight children loved sports. After seeing a game in Montreal, they were hooked. Two of the Stanley brothers formed a team of seven players, the standard number back then. They traveled in their father’s private train to play other teams. Throughout the country, people took notice. This was the important governor-general’s family!   The game became popular in northern US cities, too. Meanwhile, more leagues formed.   In time, Lord Stanley’s children wanted to hold a championship; one winner named from among all the different leagues. Lord Stanley donated a silver punch bowl to use for the trophy. So the Stanley Cup isn’t really a “cup” at all.   According to Lord Stanley’s wishes, the trophy was a “challenge cup.” What did that mean?   Teams had two ways to win the trophy. One way was simple enough. A team just had to be in the same league as the last champions and finish first in standings, beating out the reigning Cup-holder.   Then there was the “challenge” way. To get the Cup, teams from different leagues had to challenge the championship team to a game or series of games. And of course, the challenger had to win. Challenges could come any time—before, during, or after the hockey season. And there were no limits on how many could be issued. (Sometimes there’d be five Stanley Cup contests in one season!)   Sound confusing? Well, things were about to get even more complicated.

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Product details

Age Range: 8 - 12 years

Grade Level: 3 - 7

Lexile Measure: 0780 (What's this?)

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Series: What Was?

Paperback: 112 pages

Publisher: Penguin Workshop (March 12, 2019)

Language: English

ISBN-10: 1524786470

ISBN-13: 978-1524786472

Product Dimensions:

5.3 x 0.3 x 7.6 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#5,212 in Books (See Top 100 in Books)

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PDF Download Sunday Solos for Piano: Preludes, Offertories & Postludes

PDF Download Sunday Solos for Piano: Preludes, Offertories & Postludes

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Sunday Solos for Piano: Preludes, Offertories & Postludes

PDF Download Sunday Solos for Piano: Preludes, Offertories & Postludes

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About the Author

Founded in 1947, Hal Leonard LLC has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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Product details

Paperback: 122 pages

Publisher: Hal Leonard (November 1, 2006)

Language: English

ISBN-10: 1423402731

ISBN-13: 978-1423402732

Product Dimensions:

9 x 0.3 x 12 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

79 customer reviews

Amazon Best Sellers Rank:

#156,477 in Books (See Top 100 in Books)

There are so many reviews for this wonderful book of piano solos for church use, I hesitated to add yet another. But I do want to comment on those who implied these weren't full-sounding pieces or challenging. True, it depends upon your skill level, taste, expectations, and other personal factors, but for the pianist who isn't concert quality, I believe these will be eminently usable. While for many years I have been organist at both morning services each Sunday, we now have twice-monthly traditional evening services, mostly for our older people who built up a dedication over the years for a.m. and p.m. church. Several folks purposely arrive early, to listen to what amounts to almost a mini-concert. As I try not to repeat music within a year and sometimes two, it is a challenge constantly to be on the lookout for new, interesting piano arrangements suitable to this age bracket. I use at least 6-8 pieces for this prelude time, meaning I need quality pieces I can learn quickly, generally at the upper-intermediate or moderately-advanced levels. "Sunday Solos for Piano" has been great. There are a number of truly lovely arrangements and, as in all music books, some that are less special. In most things I buy, there are several I won't use at all, but that is not the case with this volume. I have already played almost every piece at church, though I have only had the book a few weeks. Styles are varied. For example, "Blessed Assurance" seems almost jazz or ragtime in rhythm (and I didn't do it justice last Sunday night!), "Be Thou My Vision" hauntingly beautiful--purposely not a "full" sound--done with interesting chords and note progressions that are not at all difficult. Minor and major key changes also provide originality in a few instances. Similarly, whether a "grand old hymn of the church" or more recently-written music, each arrangement seems designed for the pianist who wants lack of extreme difficulty, with interesting music content that will thrill believers.

Very nice arrangements - some easy, some will take a little work. My only reason for 4 stars rather than 5 is I wish it was spiral bound so it would lay flat. I'll have to take it and have it done but would have gladly paid a little more to have it come that way.

Nice harmonies that enhance the style of each piece. Playable for intermediate pianists yet moving and meaningful.

This book has a few intermediate level music to help you play in churches. You're not required to be an expert piano to play them. As your piano teacher already told you, you have to practice.

I'm using over 1/2 of the songs listed. Great book!

I like the variety of hymns, but the arrangements are not what I had hoped for. Easily mastered, new-age style arrangements of classic hymns, while I was hoping for more rich, intricate interpretations. Not bad, but not great, either.

The first thing I noticed about this book is that the binding does not allow the book to stay open when playing from it.I'm very much a fan of Martha Meir and Tom Fettke arrangements, and this is not at all like those. The chording is very weird and dissonant, and the melody is over-simplified. Overall I'm quite disappointed and will not buy another book from this series.

Everyone in the church hss really enjoyed these books and the arrangemnts are great.

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