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The Hare with Amber Eyes: A Hidden Inheritance
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Review
“A family memoir written with a grace and modesty that almost belie the sweep of its contents: Proust, Rilke, Japanese art, the rue de Monceau, Vienna during the Second World War. The most enchanting history lesson imaginable.†―The New Yorker“An extraordinary history...A wondrous book, as lustrous and exquisitely crafted as the netsuke at its heart.†―The Christian Science Monitor“A lovely, gripping book.†―The Wall Street Journal“Enthralling . . . [de Waal's] essayistic exploration of his family's past pointedly avoids any sentimentality . . . The Hare with Amber Eyes belongs on the same shelf with Vladimir Nabokov's Speak, Memory.†―Michael Dirda, The Washington Post Book World“This is a book Sebald would have loved.†―The Irish Times“At one level [Edmund de Waal] writes in vivid detail of how the fortunes were used to establish the Ephrussis' lavish lives and high positions in Paris and Vienna society. And, as Jews, of their vulnerability: the Paris family shaken by turn-of-the century anti-Semitism surging out of the Dreyfus affair; the Vienna branch utterly destroyed in Hitler's 1937 Anschluss . . . At a deeper level, though, Hare is about something more, just as Marcel Proust's masterpiece was about something more than the trappings of high society. As with Remembrance of Things Past, it uses the grandeur to light up interior matters: aspirations, passions, their passing; all in a duel, and a duet, of elegy and irony.†―Richard Eder, The Boston Globe“Absorbing . . . In this book about people who defined themselves by the objects they owned, de Waal demonstrates that human stories are more powerful than even the greatest works of art.†―Adam Kirsch, The New Republic“Delicately constructed and wonderfully nuanced . . . There are many family memoirs whose stories are as enticing as Edmund de Waal's. There are few, though, whose raw material has been crafted into quite such an engrossing and exquisitely written book as The Hare with Amber Eyes . . . One of the great triumphs of The Hare with Amber Eyes . . . is not just the assiduous way in which de Waal interrogates his raw evidence--scattered articles and newspaper cuttings, old paintings, forgotten buildings--but the way he summons up different eras so evocatively . . . [De Waal] is, too, as you would expect of a potter, wonderfully tactile in his investigations, interrogating the physical feel of the Ephrussis' different buildings, touching surfaces, assessing materials. This sensuality transmits itself also to his prose, which is beautiful to read--lithe and precise, crisp and delicate. The result is a memoir of the very first rank, one full of grace, economy, and extraordinary emotion.†―Andrew Holgate, The Barnes & Noble Review“Remarkable . . . To be handed a story as durable and exquisitely crafted as this is a rare pleasure . . . Like the netsuke themselves, this book is impossible to put down. You have in your hands a masterpiece.†―Frances Wilson, The Sunday Times (London)“From a hard and vast archival mass of journals, memoirs, newspaper clippings and art-history books, Mr. de Waal has fashioned, stroke by minuscule stroke, a book as fresh with detail as if it had been written from life, and as full of beauty and whimsy as a netsuke from the hands of a master carver. Buy two copies of his book; keep one and give the other to your closest bookish friend.†―The Economist“What a treat of a book! It projects an iridescent mirage that once was real, a pageant of exquisite fragility, an aesthetic passion somehow surviving the brutalities of history. Mr. de Waal's nostalgia is tart, tactile, marvelously nuanced.†―Frederic Morton, author of A Nervous Splendor: Vienna, 1888/1889 and The Rothschilds: Portrait of a Dynasty“A self-questioning, witty, sharply perceptive book . . . The Hare with Amber Eyes is rich in epiphanic moments . . . By writing objects into his family story [de Waal] has achieved something remarkable.†―Tanya Harrod, The Times Literary Supplement“A beautiful and unusual book . . . [A] unique memoir of [de Waal's] family . . . De Waal has a mystical ability to so inhabit the long-gone moment as to seem to suspend inexorable history, personal and impersonal . . . A work that succeeds in several known genres: as family memoir, travel literature (de Waal's Japan is the nearest thing to being there, and over decades), essays on migration and exile, on cultural misperceptions, and on de Waal's attempt to define his relationship with his own kaolin creations. His book is also a new genre, unnamed and maybe unnameable.†―Veronica Horwell, The Guardian“Part family memoir, part Proustian confession, subtle, spare and elegant.†―Hilary Spurling, The Independent“A marvelously absorbing synthesis of art history, detective story and memoir . . . A nimble history of one of the richest European families at the turn of the century . . . Remarkable.†―Kirkus Reviews
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About the Author
Edmund de Waal's porcelain has been displayed in many museum collections around the world, and he has recently made an installation for the dome of the Victoria and Albert Museum. He was apprenticed as a potter, studied in Japan, and studied English at Cambridge. He is Professor of Ceramics at the University of Westminster and lives in London with his family.
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Product details
Paperback: 354 pages
Publisher: Picador; First edition (August 2, 2011)
Language: English
ISBN-10: 9780312569372
ISBN-13: 978-0312569372
ASIN: 0312569378
Product Dimensions:
5.5 x 1 x 8.3 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
1,154 customer reviews
Amazon Best Sellers Rank:
#24,238 in Books (See Top 100 in Books)
I was truly sorry to reach the end of this book. It is a mesmerizing tale of a Jewish family whose history begins in Odessa where the patriarch establishes the financial basis for a banking empire to rival that of the Rothschild family by cornering the market for grain exports. Like the Rothschilds, the Ephrussi family sends succeeding generations to establish branch banks in major cities of Europe including Paris and Vienna. The story opens in Paris in 1871, where the author's great-uncle becomes an art critic and collector. In addition to becoming an early supporter of the Impressionists, he also latches on to the then-prevailing Parisian enthusiasm for all things Japanese. He amasses a collection of 264 netsuke which he sends as a wedding present to his cousin Victor in Vienna in 1899. The story of the succeeding generations is told through the netsuke, which become one of the few art treasures that the family was able to recover after World War II because a gentile maid who had been in their employ since the age of fourteen secreted them away in her mattress. But this is much more than a chronological history of lost wealth. The author, an accomplished potter with an international reputation who has lived and studied in Japan, has created a detailed study of the relationship between the netsuke and where they have been. He researches his family's history and visits the homes where the netsuke have lived. In so doing, he creates vivid portraits of both the netsuke's surroundings and the family members who interacted with them over the years. The result is a unique and captivating story that transports the reader back in time to the spaces inhabited by the netsuke and his family.
I studied Japanese history and netsuke in college, which is why I bought this book. But it is so much more than that. The family on which it is based are fascinating (thanks, author, for the family tree at the start of the book, something that Tolkien taught me to appreciate). It's fun dusting off my French here and there. The many references to specific artworks were nearly all works I didn't know, which made me feel left out. So I started pulling them up on my phone as I came across them in the book. (e.g. Monet's portrait of his wife Camille in a red kimono with a Samurai on the side just so). WOW! Doing that gives this book an extra dimension that is out of this world. It's like a guided tour of far countries and cultures, and very well done indeed. The aforementioned Monet is sometimes mentioned as part of a necessary conversation about cultural appropriation and sexualization... akin to the history of the Confederacy in some ways, and as I write this "Crazy Rich Asians" is being discussed in this contest. Just as Ron Chernow's book "Washington" demonstrates that politics today are just a high-tech replay of America's past, this book chronicles an art scene as it was, warts and all. I finally understand just how Asian objets-d'art ended up as part of my own Missouri-rooted inheritances. A book to savor. I'm not done yet and I'll hate to see it end. If anyone out there knows of similar books, LMK!
This book had such promise because it's a great story. But the promise was never fulfilled because of the way the author chose to tell the story. I found it very disjointed and very hard to follow. Thank God for the pedigree chart in the front because keeping the characters straight was difficult. This book would have been much more successful if it had been chronologically organised. But we dive into one part of the family then we're thrown into something else and it feels as if we lurch from topic to topic. I know the author probably had difficulty distancing himself from the story because it is his family and he knows details which fill in the cracks. Unfortunately, we're not always privy to those details. Or they are revealed much later in the story. As it is a story of a Jewish family in Europe w/ vast wealth, we know the rise of the Nazis to power is going to be devastating. That part of the story is well told. The sparse, mostly unemotional facts are told and the reader is left to respond. I did feel that was well done. But the title of the book and the expectations of a discussion about 264 netsuke are misleading. The uniqueness of the hare w/ amber eyes is never really elaborated upon. Perhaps the paperback edition of the book omitted the detailed photos of the objects and this skewed my reaction. But I did expect more about them. I strongly feel that Mr. de Waal was not done well by his editor. A better editor would ahve added more coherence to the structure of the story and provided more focus.This story could have been told so much better and should have been told so much better. I was disappointed,.
Edmund de Waal, a well-known potter, inherited a collection of 264 netsuke, small delicately carved Japanese objects, originally intended as a counterweight with a small bag on one side and the netsuke on the other, worn around the sash of a man's kimono. At the end of the 19th century they became all the rage in Europe as collectors' items. The author desribes how the collection got into his family and what happend to it over the years. By doing so, he traces back his family's fascinating history. He conjures up the atmosphere in Paris and Vienna, describes in great detail homes and daily life of a super rich family, from their beginnings as bankers in Odessa to their dispersal into various countries. Especially the period around the second world war, in which everything is taken away from this Jewish family, is very moving. I found the beginning a little slow reading, but after a while I really got sucked into this story and often felt like a fly on the wall.
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